At first glance, they are drawings like those of any eight-year-old, but the simple pictures created by Yehor Kravstov tell a far darker story. His stickmen are dead bodies or soldiers. The smoke billowing from buildings is not from chimneys but the result of fires ignited by airstrikes. His words about his grandfather are not of joy, but of death.
Yehor began his journal in early April as he and his family cowered in a bunker to escape Russia’s relentless shelling of Mariupol, the besieged city on Ukraine’s southern coast, which had started five weeks earlier.
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